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Jumat, 29 September 2017

Ebook Download A Visual Motor Gestalt Test and Its Clinical Use: Research Monograph No. 3By Lauretta Bender

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A Visual Motor Gestalt Test snd It's Clinical Use- Reseasrch Monographs No.3 American Orthopsychiatric Association.

  • Published on: 1967
  • Format: Illustrated
  • Original language: English
  • Binding: Hardcover
  • 176 pages

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Jumat, 15 September 2017

Ebook Download A Case of Possession

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Product details

#detail-bullets .content {

margin: 0.5em 0px 0em 25px !important;

}

Audible Audiobook

Listening Length: 6 hours and 2 minutes

Program Type: Audiobook

Version: Unabridged

Publisher: Audible Studios

Audible.com Release Date: January 26, 2018

Whispersync for Voice: Ready

Language: English, English

ASIN: B0798XX8NV

Amazon Best Sellers Rank:

A Case of Possession is the second book in KJ Charles’ A Charm of Magpies series of Victorian-era m/m paranormal romance novels. Charles has become one of my favorite authors, and I’m pretty sure I started this book almost immediately after reading the first book in the series.The story picks up almost immediately after the events of The Magpie Lord. Having dealt with the threat on Crane’s life, Stephen and Crane return to London. But, as they say, there is no rest for the wicked. Stephen returns to work as a magical police officer, and Crane…. Crane drifts around a little aimlessly. He’s still not happy with the title he’s inherited, and he wants nothing more than to return to China. But now there’s Stephen to consider.There isn’t much time for consideration because someone is unleashing a plague of rats upon innocent people. Any city is full of rats, but it’s clear that these are no ordinary rats; they’re being controlled by someone seeking vengeance- but clues are scarce, and once again, Stephen and Crane find themselves facing an unknown threat.A Case of Possession takes the dynamic established in the first book and expands that knowledge. But what will the reluctant lord and magical officer do with their newfound relationship when taken out of their vacuum and placed in stiflingly proper London?I would recommend A Case of Possession. Readers need to start with The Magpie Lord so that they can fully appreciate the story arc. There’s a nice balance of sorting out the relationship and dealing with the rat mystery. Overall, the tone of the book is fairly light, and the banter is top-notch. Crane’s valet/henchman Merrick steals every scene he appears in, and I would absolutely read a spinoff featuring just Merrick.

I am officially addicted to this series in audiobook!!! Clever KJ Charles attaches a short story (narrated) at the end of each book. And after that whets our appetite with a mini adventure/mystery of the paranormal sort, she racks on the first two chapters of the next book. What else can you possibly do but go and buy the dang thing with the audiobook add-on?!So, this mystery brings us more of Crane and Stephen and their sexy relationship in and out of bed. The L word might be bandied about at some point, but both men are chafing under the restrictive English society and laws against sodomy. And Stephen finds himself watched by his own Society of practitioners. The reason? All that power he carries from all the good lovin’ he gets from Crane.The big evil this time comes in the form of big evil rats....ewwwww. Crane plays a major role in solving the mystery.I loved seeing the two grow closer and lower their guards, especially Stephen.Merrill still rocks it and only wish he were bi so he could get his own sexy book for me to read!!Needless to say, this book and series is audiobook is HIGHLY recommended!!Off to the next!!!

REVIEW WAS ORIGINALLY PUBLISHED AT DEAR AUTHOR WHERE I RECEIVED THE BOOK AS FREE REVIEWING COPYDear KJ Charles,I reviewed the first book in this series here. Now that some time has passed I can say that it was probably my favorite m/m book last year. I am usually wary of reading the sequel to a beloved book, because I worry whether the sequel will live up to the high bar that the first book raised. I am glad that for me this sequel definitely did. Now I can worry about the third book.This book should not be read as a stand – alone. If you do read this first, I do not think you will be terribly confused, because the adventure/mystery plot is a new one, but the book continues to build up the relationship between the main characters, Lucien Crane and Stephen Day, and most importantly it once again develops their characters in the midst of all that danger, magic and mayhem.One of the main reasons why I often scoff at the possibility of a sequel (or series developed) to a book I loved is because so many authors seem to be so very fond of creating artificial conflicts between the couple, just to break them up for the sake of another book and then putting them back together at the end. But there is absolutely nothing artificial in the tension between Stephen and Lucien in this book, because it arises out of who they are, and the unresolved issues in their relationship are believable because their relationship is only several months old. And of course there is a nice external danger to both of them, which made perfect sense in the context of the mystery/adventure plot.More importantly, the unresolved issues between the men do not make them act like idiots. For example, in the very beginning of the book somebody has decided to blackmail Lucien over his relationship with Stephen and made his demands known to Lucien. It is part of Lucien’s nature to try and protect Stephen (even though he is aware of Stephen’s abilities to protect himself). I was very pleased to see that it did not occur to Lucien to hide the blackmailer’s visit from Stephen, and he let his lover know as soon as possible about the blackmail attempt. I do not know why I was even worried for a second that this would be the source of a quarrel between the guys and a reason for manufactured conflict/breakup/angst (take your pick). I really must start trusting this writer not to lead me towards silly plot turns.I was also pleased to see both men becoming more and more aware of each other flaws, but still loving each other more, not less. It was refreshing to see Lucien realize (with a little push from Merrick) how much Stephen’s pride means to him and try to curb his own “wanting to rescue” tendencies. At the same time Stephen would at least attempt to ask for help, hopefully because he understood that asking for help sometimes did not make him weak. And their declaration of love was so appropriate and so suited to both of them. When we see Stephen’s desire to protect Lucien at all costs despite what it seemed to have cost him in terms of his cherished job, it made me wonder whether these men are really that different inside. I decided not.I must praise the adventure/mystery/magic storyline – I loved it just as much as I loved it in the first book. It made the characters shine, but more importantly it made me hold my breath wondering what would happen next and I read without hesitation the creepiness that I am usually more likely to pass in many other books. I did not want to miss a word; I had to know what was going on. I was also pleased to become more acquainted with Stephen’s partner Esther and other practitioners from his team. I am really hoping that I will see more of them in the next book of these series. I liked Esther a lot, but I think she could have used more fleshing out. Merrick, Crane’s manservant and friend was just as awesome in this book, and I while I was a bit scared to see the extent of his ruthlessness, I am glad the writer did not shy away from it. I liked that we learned more about what Merrick and Crane did in China as well.The writing was just as wonderful as in the first book. Here is an example to give you a taste, so that you can decide whether it works for you. Lucien was asked to do a little translating work for Stephen and his team ;).“Crane knew from Stephen that Mrs. Gold was the senior member of the team, and that she resented the common assumption that she was subordinate to the men. He addressed his next words to her. “Please don’t think this is a vulgar curiosity, but if you want me to translate when someone arrives, it would help to know what I need to discuss. What’s the problem?” The practitioners glanced at each other, quick fleeting looks. Esther Gold said, “Rats.” “Rats?” “Rats.” “We got a rat problem.” Saint wore a malicious grin. “I suppose you know you can hire a man and a dog in any pub in this city,” Crane offered blandly. “It wouldn’t help,” Stephen said. “Joss, show him.” Janossi put a toe under a fold of the sackcloth bundle and flipped it over. Crane walked over and looked at what lay within. It was undeniably a rat. It long yellow teeth were bared in death. Its eyes were blood-filled and bulging, which Crane attributed to Stephen, since he had seen a man dead that way at his hands. Its matted, dirty brown pelt was stiff with filth and dust, its claws were grey and scaly, its naked tail pinkish. It was a rat like any other, except in one respect. It was about four feet long, not counting the tail, and would have stood perhaps a foot high at the shoulder.”I cannot wait for the next installment in this series. Oh and what a refreshing idea it is, to choose not to end every book in the series with the cliffhanger.Recommended.Grade A-

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Rabu, 13 September 2017

PDF Download They Called Her Styrene, Etc.

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They Called Her Styrene, Etc.

Product details

Hardcover: 1 pages

Publisher: Phaidon Press; F First Edition edition (January 10, 2000)

Language: English

ISBN-10: 0714840114

ISBN-13: 978-0714840116

Product Dimensions:

5 x 2.3 x 7.5 inches

Shipping Weight: 2.2 pounds (View shipping rates and policies)

Average Customer Review:

4.7 out of 5 stars

9 customer reviews

Amazon Best Sellers Rank:

#448,632 in Books (See Top 100 in Books)

Great size. Makes for a wonderful gift. I came across this book in Vegas and had to buy my own copy.

Fastest service. very satisfied

...because it is a nice object and very enjoyable to thumb through. The binding is failing a bit, but it is an essential in my library.

Funny, but it seems as though every time a new Ed Ruscha book gets released, it then becomes the standard "must-have" edition. In my opinion, this is an excellent book for the price, even if only for a single viewing. What I mean is this: it's more like an object than a book, due to its small area (but thick volume), and lack of publisher information distraction - the absolute first page blatently plunges you into the art immediately. It will take the average art fan a good two hours alone viewing each plate at a contemplative pace. I have had two art shows myself, and Ed's work is by far my closest influence, so I am heavily biased. This book lacks the token interview with the artist, and also his other forms of work (notably the parking lot photography series, which is a sheer delight in its own right), but for the sake of the design, perhaps the book as it is says all it has to say (no pun intended, if you're familiar with his works). Part of the fun, though, with viewing these kinds of Ed's works, is reading his titles and materials used, as they are equally insightful; yes, I miss that. But the average or novice art buff wouldn't even notice it missing. All things considered, this is a great little form of entertainment all contemporary art lovers should own.

Bob Perelman was thumbing through my copy of Ed Ruscha's They Call Her Styrene (Phaidon, 2000) the other evening, which raises the question of intermedia from another angle. Ruscha, if you don't know his work, is a painter and photographer associated with the 1960s Los Angeles scene that proved to be an intersection between Pop, Funk and Conceptual art. His work takes different forms, but Styrene is representative of the works that have most attracted me: prints, drawings and watercolors involving anything from a single word to short phrases, often against backgrounds that are close to monochromatic but which may suggest a picturesque element. Styrene collects some 600 of these works into a single, affordable volume - I've seen individual paintings priced as high as $45,000. My question is this: fine as they are as visual works of art, are Ed Ruscha's text pieces also writing?Ruscha himself has a cryptic, but intriguing comment right at the end of the book: "Sometimes found words are the most pure because they have nothing to do with you. I take things as I find them. A lot of these things come from the noise of everyday life." End of comment.So far as I know, Ruscha has not undertaken to publish these works as writing, nor in the context of writing. As visual art, these works inhabit that territory that utilizes language for its own purposes. Its closest kin in that vein may be the signage of Jenny Holzer, the paintings of Lawrence Weiner, or the poster paintings of Barbara Krueger, but the more densely textual pseudo-philosophical musings of Joseph Kosuth and Art Language aren't entirely unrelated either. Ruscha's prints and paintings make use of color and the illusions of depth and texture in ways that Holzer's do not and his works often lack the overt political commentary one finds in her work and in that of Krueger's. At its most plain, a Ruscha work might consist of white sans serif letters centered against a black background:A HEAVYSHOWEROF SCREWSorTHICK BLOCKSOFMUSICAL FUDGEorWARMAUDITORIUMWhile Holzer has executed some pieces etched into benches, a form that has to recall the (literally) concrete poems of Scottish poet Ian Hamilton Finlay, Ruscha's droll texts strike me in many ways being better writing. If, that is, they are writing at all. The last text above, for example, makes great use of the recurrence of the a, r and m sounds (not to mention the echo of the w one hears in the two instances of the u), an attention to the smallest of details that might be more apt to associate with the poetry of Robert Grenier. Microwriting such as this can invoke every pleasure one expects from the best of poetry. The first two pieces above aren't bad either - both use the same strategy of invoking a single term that is "out of context" in its phrase (screws and musical), which functions to set the language around it into a kind of relief, classic demonstrations of what the Russian formalists called ostrananie, Brecht "the alienation effect," and which Pound characterized as "making it new."In addition to reminding me at moments of Grenier, some of the more visually complex of Ruscha's pieces, where richly textured "3D" words float in idealized pastel skies, remind me of how Hannah Weiner used to describe her visual hallucinations, words that would appear on people's foreheads that to her seemed to be composed in "dog fur" or similar materials. Weiner used these messages to create her "clairvoyant" works, although that aspect of such found language is not carried through her writing - the closest she gets is to occasionally "erase" some lines of certain letters.All of which makes Ed Ruscha's texts function as an intriguing test of the boundaries of writing - how can a lone word such as "fud," written in what looks like white ribbon on an intense red surface (onto which the letters cast shadows) function as a poem? It can / It can't / It can / It can't - like a Necker cube or other optical illusions, the text strobes in and out of the realm of literature (though it always remains within the realm of the visual). It may be that this flicker effect is precisely Ed Ruscha's contribution to writing.

This book is as inspiring to look at closed as it is on every page. It is a "paper brick" and very page has an image. I will pick this book up for inspiration as well as simply look at it as an inspirational object. LOVE!!!!!

My adventures with They Called Her Styrene began on a subway ride in Boston earlier this month. I saw an older woman flipping through a book, each page containting a picture with a few words written on it. I started looking with her as as she flipped through it. She flipped through it for about 20 minutes, and then my stop was next. I was worried I would never know the title of this book, and, being too shy to ask, would leave the train and be unsatisfied. Luckily, just as the train stopped, she closed the book and I saw the title.I bought it shortly afterwards.I already described it- it's a book of pictures with words across them. I enjoy it very much. As you sit and thumb through all of the pages, each word or group of words, combined with the colors on the background, conjur all sorts of thought and feelings inside you.For me, it serves very well to just sit and thumb through it, looking at all the pictures and letting my mind wander as the book prescribes.Its wonderful.

I gave this one to a friend who never heard of Ruscha before. He loved it. It's a little unpretentious experience through Ruscha's world. It's not that kind of 7-colour-printed-on-coated-expensive-paper, but works very well as good entertainment and a valid introduction to west coast fine artists. Worth its price.

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Rabu, 06 September 2017

Download Hasta-mudra Chikitsa VigyanBy DR ARPITA SINGH

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  • Sales Rank: #2606263 in eBooks
  • Published on: 2015-10-15
  • Released on: 2015-10-15
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